Skip to main content

Exposure (Shoot 2)






Observation and Learning

When I experimented with underexposed and overexposed photographs at night, I observed how strongly exposure changes the mood of the image in low light. The underexposed shots looked much darker, with many details in the shadows disappearing, but they also created a moody and dramatic feel that suited the nighttime setting. In contrast, the overexposed photos appeared brighter, but some light sources became blown out and harsh, losing fine details and making the picture look washed out. The difference between the two made me realize how sensitive night photography is to small changes in exposure.

From this exercise, I learned that correct exposure at night is tricky but important to maintain balance between highlights and shadows. Underexposure and overexposure can both be used creatively, depending on whether I want to highlight drama or brightness in the scene. I also understood how adjusting exposure at night requires more control over ISO, aperture, and camera stability to capture the desired effect.






 

Comments

Post a Comment

Popular posts from this blog

Motion blur, motion freeze, Light trails and light painting (Shoot 6)

   f/4.5 - 1 sec f/4.5 - 8/5 secs f/4.5 - 8/5 sec f/4 - 8/5 sec f/4 - 6.5 sec f/1.8 - 1 sec f/1.8 - 2 secs f/1.8 - 2.5 secs f/1.8 - 2.5 secs f/1.8 - 1.5 secs f/2.4 - 1/3 secs f/2.4 - 1/3 secs f/1.8 - 2 secs f/1.8 - 1.5 sec f/1.8 - 1 secs f/1.8 - 1/2000 secs Observations and Learnings At night, experimenting with motion blur felt very different from doing it in daylight. With slower shutter speeds, moving subjects created more dramatic and stretched blurs, while the darker environment made the trails stand out much more strongly. When photographing traffic, the headlights and taillights turned into long, continuous light trails that gave the images a sense of flow and direction. Light painting was especially interesting—I noticed how even simple movements with a torch or phone light could draw shapes in the air, leaving bright streaks captured by the camera. The combination of still backgrounds and glowing trails made the photos feel vibrant and alive, even though the setting i...
Post a Comment
Read more

Aperture - Shallow Depth of Field (Assignments 7)

  f/4 f/4 f/4 f/4 f/5 Observations - In this assignment, I experimented with aperture by taking two photos of the same frame: one where the brush in hand was in focus and another where the face was in focus. I observed that a wider aperture (low f-stop) created a shallow depth of field, isolating the hand sharply while blurring the face in the background. On the other hand, adjusting the aperture to focus on the face shifted attention to the subject’s expression while softening the foreground (the hand).
Post a Comment
Read more

Research on Edward Weston (Assignment 20)

  EDWARD WESTON About him- Edward Weston (1886–1958) was a pioneering American photographer renowned for transforming photography into a respected modern art form. Born in Highland Park, Illinois, Weston began his career with soft-focus pictorialist images but soon shifted to a sharper, more realistic style known as straight photography He is best known for his black-and-white images of natural forms , landscapes , nudes , and close-ups of everyday objects like shells, vegetables (especially peppers), and rocks . Weston co-founded Group f/64 in 1932 with other notable photographers like Ansel Adams and Imogen Cunningham , promoting pure photography and clarity in contrast to manipulated or painterly styles. Pepper No. 30 (1930) This is arguably Weston's most iconic photograph. He used a simple bell pepper and transformed it into a powerful, almost sculptural form through lighting, contrast, and tight framing. The curves and folds of the pepper resemble the human body, showing hi...
Post a Comment
Read more